Friday, May 15, 2009

The Sweet Do Nothing


Yes, I've been out of pocket. And I shall continue to be for a few more weeks, as I wrap up a couple freelance projects. After that I'll be busy tidying up the gardens and wrestling with the bamboo. Then it's off for a little travel, immediately followed by a very exciting move and putting the house up for sale.

I'll post and respond to comments as my schedule permits.

Also, I realize there are photos missing from several blog posts. This is due to my having moved their flickr locations. Once I'm settled at the new place, and have a chance to breathe, I'll begin the tedious task of sifting through the archives and updating image urls. I apologize for the inconvenience.

In the meantime, remember "Il dolce far niente!" (Thanks, Jay!)

Saturday, May 9, 2009

Chopin's Letters - Sheaves of Electric Light

From #278:


"At the opera, in the Prophet, they are preparing a sun which is said to be more marvellous than any in the tropics. It only rises, and does not last long, but it is so powerful that it puts everything in the shade except the music."

Everything but the music, art, the heart, soul... yes. I'm happy to have known this and to hear its bright echo.

Portrait of Mme. George Sand & Chopin. Eugene Delacroix.

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Chopins Letters. Frederic Chopin, E.L. Voynich. Dover Publications, Inc. New York. 1988.

Wednesday, May 6, 2009

Submit! A Devil's Dictionary for the 21st Century

The Georgia Review is now taking submissions for a planned special feature, “A Devil’s Dictionary for the Twenty-First Century”—an update of sorts of Ambrose Bierce’s brilliant satirical work The Devil’s Dictionary, published just about one hundred years ago. Taking Bierce as a model, all writers are invited to send one or two original dictionary entries—maximum length, two hundred words each—for publication consideration; those writers who include with their submission a paid order for a new, renewed, or gift subscription to The Georgia Review ($30) may send up to six dictionary entries. All entries will be considered for publication in our pages and/or on our website. All accepted authors will receive an honorarium and also will be eligible to receive “The Devil’s Due” in the amount of $500 for first place, $150 for second, and $100 for third. Please write "Devil's Dictionary" on the submission envelope. The postmark deadline is 30 June 2009, with no electronic submissions accepted and no reply absent a stamped, self-addressed return envelope.

A few representative entries from Bierce's Devil's Dictionary:

Apologize, v. i. To lay the foundation for a future offence.

Bigot, n. One who is obstinately and zealously attached to an opinion that you do not entertain.

Defame, v. t. To lie about another. To tell the truth about another.

Dictionary, n. A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.

liberty, n. One of Imagination's most precious possessions.

Novel, n. A short story padded . . .

peace, n. In international affairs, a period of cheating between two periods of fighting.

scribbler, n. A professional writer whose views are antagonistic to one's own.

and, of course,

Editor, n. . . . a severely virtuous censor, but so charitable withal that he tolerates the virtues of others and the vices of himself; who flings about him the splintering lightning and sturdy thunders of admonition till he resembles a bunch of firecrackers petulantly uttering its mind at the tail of a dog; then straightway murmurs a mild, melodious lay, soft as the cooing of a donkey intoning its prayer to the evening star . . .


All submissions and queries
should be sent to:


The Georgia Review
"Devil's Dictionary"
The University of Georgia
Athens, GA 30602-9009

1 (800) 542-3481
(706) 542-3481
garev@uga.edu
fax (706-542-0047)

website: The Georgia Review

Monday, May 4, 2009

Place Yer Bets (One for S.V.)

Gwine to Run All Night, or De Camptown Races
by Stephen C. Foster

De Camptown ladies sing dis song—Doo-dah! doo-dah!
De Camp-town race-track five miles long—Oh! doo-dah day!
I come down dah wid my hat caved in—Doo-dah! doo-dah!
I go back home wid a pocket full of tin—Oh! doo-dah day!


Gwine to run all night!
Gwine to run all day!
I’ll bet my money on de bob-tail nag—
Somebody bet on de bay.


De long tail filly and de big black hoss—Doo-dah! doo-dah!
Dey fly de track and dey both cut across—Oh! doo-dah-day!
De blind hoss sticken in a big mud hole—Doo-dah! doo-dah!
Can’t touch bottom wid a ten foot pole—Oh! doo-dah-day!


Gwine to run all night!
Gwine to run all day!
I’ll bet my money on de bob-tail nag—
Somebody bet on de bay.


Old muley cow come on to de track—Doo-dah! doo-dah!
De bob-tail fling her ober his back—Oh! doo-dah-day!
Den fly along like a rail-road car—Doo-dah! doo-dah!
Runnin’ a race wid a shootin’ star—Oh! doo-dah-day!


Gwine to run all night!
Gwine to run all day!
I’ll bet my money on de bob-tail nag—
Somebody bet on de bay.


See dem flyin’ on a ten mile heat—Doo-dah doo-dah!
Round de race track, den repeat—Oh! doo-dah-day!
I win my money on de bob-tail nag—Doo-dah! doo-dah!
I keep my money in an old tow-bag—Oh! doo-dah-day!


Gwine to run all night!
Gwine to run all day!
I’ll bet my money on de bob-tail nag—
Somebody bet on de bay.

Saturday, May 2, 2009

Love Alchemy

Dear Virginia,

That you question what
is to become
of the Great Experiment-- wonder
if they were to fix
their eyes upon the furnace,
skim off the dross-- if,
hearts smiling,
limbs entwined,
they would glow, luminous,
like radium that doesn't burn

is but natural.



I will let you know what I discover, if anything.

Your friend,
TQ

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Image from the book Chemistry Imagined.  Hoffmann R. and Torrence V.  Smithsonian Institution Press. London, 1993

Friday, May 1, 2009

A True Maid

by Matthew Prior

No, no; for my virginity, 
When I lose that, says Rose, I’ll die:
Behind the elms, last night, cried Dick,
Rose, were you not extremely sick?

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Matthew Prior (1664 - 1721) -- Matthew Prior was the most important poet writing in England between the death of John Dryden (1700) and the poetic maturity of Alexander Pope (about 1712). A significant influence on British and German poetry throughout the eighteenth century, Prior had an effect on several different forms: long philosophical poems either serious or half-mocking, Horatian imitations, psychologically realistic tales, and polished, metrical songs and lyrics. READ COMPLETE BIO